A Postcolonial Reading of George Lamming´s A Wedding in Spring and Jean Rhys The Day they Burned the Books

Aymane Edouihri

Abstract


The colonial enterprise laid down the foundation to a well -defined discourse of domination and subjugation and an established asymmetrical power relation where the colonizer´s master narrative is the superior and dominant voice. Such discourse is a totalizing and denigrating account of the colonized whose voice is smothered and turned into a voiceless passive subject. In this context, the colonial subject engendered a counter-discourse within the colonial womb to tell their side of the story. This discourse of resistance has concretized in what has come to be called post-colonial discourse and postcolonial literature.

Keywords


colonial; post colonial discourse; resistance, power, subjugation

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References


Achebe, Chinua. "The African Writer and the English Language".1975

Bhabha, Homi. "Remembering Fanon: Self, Psyche, and the colonial condition". Colonial Discourse and Poscolonial theory. New York: Columbia University Press. 1994

Fanon, Frantz. "Black Skin, White Masks". New York: Grove Press, 1967.

Lamming, George. " A Wedding in Spring"

Memmi, Albert. " The Colonizer and the Colonized". Boston: Beacon Press: 1997

Rhys, Jeans. " The Day They Burned the Books" 1987

Rushdie, Salman. " Imaginary Homelands" 1981



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ISSN (Online): 2395-0897 ISSN (Print): 2454-2296 Copyright (c) 2015 The Achievers Journal